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Un Onore Davvero! (Italian Version)

10 Sep

Due settimane fa, e inaspettatamente, abbiamo ricevuto un invito a partecipare alla 76a Mostra Internazionale del Cinema di Venezia, ospiti del Prof. Dr. Massimo Lucidi, giornalista economico, autore e fondatore di numerosi eventi internazionali come il Premio Eccellenza o il Premio Italiano Eccellenza .

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Il festival si tiene al Lido di Venezia e il nostro incontro è stato all’Hotel Excelsior. Per il loro sito web: “Questa straordinaria creazione ha riscosso un grande successo il 21 luglio 1908, con una sontuosa festa in riva al mare per oltre 3.000 ospiti. È diventata rapidamente un paradiso per l’elite, le star del cinema e la regalità”.

Nel 1932, l’Hotel Excelsior Venice Lido Resort ha dato il benvenuto al primo Festival del cinema di Venezia ed è ora la sede ufficiale di questo evento di fama mondiale.

© HOTEL EXCELSIOR VAT: 09825980965

Ci siamo presi un momento per goderci un cappuccino in buona compagnia.

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L’incontro a cui abbiamo partecipato è stato intitolato “Cinema e Web”. Si è concentrato sul rapporto tra emozione e seduzione del cinema e le opportunità digitali di oggi per preservare e condividere storia e cultura.

Ma perché noi? Un po ‘di storia richiesta qui …

Io e Len, entrambi di origini italiane, abbiamo sempre avuto il sogno e l’obiettivo di trascorrere un periodo significativo in Italia. Dal 2001, con il nostro viaggio in Calabria per trovare i documenti dei nonni di Len, abbiamo continuato la ricerca delle nostre case ancestrali e visitato la maggior parte. Una volta in pensione, e desiderosi di vivere davvero il paese dei nostri antenati, abbiamo scelto l’antica e bellissima città di Cortona in Toscana.

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Per noi, era la dimensione e l’ambiente perfetti per darci una base centrale da cui partire, per interagire veramente con la gente del posto e per assorbire la cultura dei nostri antenati mentre ci immergevamo nella vita quotidiana italiana. Non avremmo potuto immaginare le grandi amicizie che avremmo fatto.

Crescendo, io e Len siamo stati entrambi fortunati ad essere circondati da grandi famiglie italiane estese. Ognuna delle nostre vite era piena di divertenti tradizioni italiane, grandi riunioni di famiglia e amore.

Nella mia famiglia c’erano 10 nipoti per parte. E mentre sapevamo dei risultati dei nostri nonni, non era come se parlassero di se stessi. Per noi, erano nonni tipici e divertenti che lavoravano duramente e amavano i loro nipoti a caro prezzo.

Di conseguenza, il mio fascino ancestrale iniziò davvero molti anni dopo, quando iniziai a ricercare mio nonno paterno, Alex Capraro.

©blogginginitaly.com   Alex Capraro and wife Maude

Lasciò Pietrabbondante in Abruzzo all’età di quattro anni ed emigrò con i suoi giovani genitori in America dove alla fine divenne il primo architetto italo-americano autorizzato in Illinois. Agli inizi degli anni ’30, fu nominato capo architetto dal governo italiano per il padiglione italiano alla Century of Progress Fair del 1933 a Chicago. Anche se è morto quando avevo cinque anni, mia nonna conservava molte delle sue lettere e dei suoi documenti. Alla fine, questi mi sono stati trasmessi. A tempo debito, sono stato in grado di mettere insieme così tanto di ciò che era e ciò che aveva realizzato nella sua vita, come documentato nella mia serie di blog: Attraverso le sue parole: riflessioni da e su mio nonno.

La storia di Alex ha suscitato interesse, non solo con i miei familiari, ma anche con molti amici italiani.

Questo mi ha portato a ricercare e condividere qualcosa in più su mio nonno materno, Salvatore Ferrara, che ha aperto una pasticceria al dettaglio nella sezione Little Italy di Chicago nei primi anni del 1900.

Salvatore Ferrara (r) C.1908

La pasticceria produceva dolci italiani, grandi torte nuziali e mandorle ricoperte di zucchero, o coriandoli, che Salvatore aveva imparato a fare in Italia. Quando le vendite di caramelle hanno superato i pasticcini, ha lasciato la moglie per dirigere il forno e alla fine ha lanciato la Ferrara Pan Candy Company. Nel 2017 il Gruppo Ferrero, produttore di Nutella e il secondo produttore di cioccolato e azienda dolciaria al mondo, ha acquistato la Ferrara Candy Company.

Per non essere superata dagli uomini, mia nonna materna, Serafina Ferrara, divenne una dinamica personalità imprenditoriale e filantropo.

Serafina Ferrara and brother

A differenza di miei nonni, ho avuto la fortuna di conoscerla tra i 20 anni. Oltre a gestire la panetteria, ha aperto due delle prime sale per banchetti di Chicago, il Chateau Royale e il maniero di Ferrara. Ha anche dedicato un tempo significativo a cause caritatevoli e civili. Era conosciuta come “L’angelo di Halsted Street” per la sua infinita generosità verso i meno fortunati. Nel 1956, fu nominata nonna nazionale dell’anno insieme a Ed Sullivan come nonno dell’anno. Lo stesso anno, fu decorata dal Governo italiano per aver contribuito a cementare le relazioni italo-americane: i suoi numerosi successi nella vita sono stati inseriti nel record congressuale della Camera dei Rappresentanti degli Stati Uniti dall’onorevole Frank Annunzio nel 1972.

Nel corso del tempo, ho potuto vedere gli ingranaggi girare nella testa del nostro buon amico Carlo. Era incuriosito, non solo per la storia di questi immigrati italiani che hanno realizzato così tanto in America, ma che le due famiglie erano unite dal matrimonio di mia madre, Benita Ferrara, e di mio padre, Bill Capraro. Carlo è stato anche colpito dalla decisione di Len e dalla mia decisione di immergerci completamente nella storia e nella cultura dei nostri antenati, nonché di ricercare e condividere le nostre storie. Sapevo che aveva iniziato a parlare con gli altri, ma mai fino a che punto.

Avanti veloce alla scorsa settimana e l’invito.

A cena mercoledì sera, abbiamo incontrato Massimo Lucidi (di fronte a me) per la prima volta, sebbene fosse stato ben informato. Prima che la serata fosse finita, mi aveva invitato a partecipare a un panel la mattina successiva.

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La sala conferenze Tropicana dell’Hotel Excelsior ospitava il padiglione italiano dove si sarebbe tenuto l’incontro.

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©blogginginitaly.com

All’improvviso, sono stato sul palco con un membro del parlamento, un colonnello dei carabinieri, il Presidente di Rai Cinema e Massimo Lucidi, tutti che recitano ruoli significativi e vari nella promozione del cinema e delle arti legate alla storia e alla cultura dell’Italia in un palcoscenico internazionale.

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Il mio ruolo è stato quello di condividere una breve storia (in italiano, ovviamente!) Dei miei nonni, tutti immigrati italiani e dei contributi che hanno fatto in America. E perché così tanto interesse? Come è stato sottolineato durante il panel, ci sono così tante storie meravigliose di immigrati italiani che non vengono mai ascoltate e mai raccontate, ed è la sfida di coloro che sono coinvolti in tutti i tipi di media a cercare tali storie.

Nella sala c’erano produttori, registi, attori, scrittori e giornalisti, e molti furono riconosciuti per il loro lavoro.

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E poi, alla conclusione del panel, è arrivata la nostra incredibile sorpresa e il nostro straordinario onore – Len ed io siamo stati riconosciuti dal Comitato Esecutivo del Premio Eccellenza come segue:

Per la storia di straordinario impegno, passione e stile,
siamo lieti di premiare
Judy e Leonard Gingerella
Ambasciatori della storia italiana dell’emigrazione

©blogginginitaly.com     Colonel Anania, Len , Judy, Massimo Lucidi

La cerimonia di premiazione effettiva si terrà a Washington DC in ottobre, ma poiché non saremo disponibili, ci è stato assegnato il nostro premio in anticipo. Ed è per questo che siamo stati invitati a Venezia.

Dopo l’evento, Massimo ha condotto un’intervista con me e Carlo, disponibile su YouTubehttps://youtu.be/Ikif5iup2mY

https://youtu.be/Ikif5iup2mY

Abbiamo presentato a Massimo un libro di Luciano Meoni, il sindaco di Cortona.

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©blogginginitaly.com

E il colonnello Anania ha presentato un libro all’onorevole Nicola Acunzo di Francesco Attesti, Consigliere culturale di Cortona.

Len ed io saremo per sempre grati a Massimo, Orazio, Carlo ea tutti coloro che vedono valore nel condividere il passato e sono impegnati a mantenere vive le storie. Grazie mille, grazie! Il nostro tempo trascorso insieme al 76 ° Festival Internazionale del Cinema di Venezia sarà qualcosa che apprezzeremo per sempre.

Soprattutto, la mia sincera gratitudine verso i miei nonni e bisnonni per avere il coraggio di lasciarsi alle spalle il noto, cercare opportunità in America e creare eredità straordinarie. Sarò sempre sbalordito e anche ispirato dai loro successi. Come loro nipote, sono così orgoglioso di poter condividere le loro storie.

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Su una nota profetica … a fine luglio, la nostra famiglia allargata si è riunita a Chicago per una settimana. Una notte attorno a una grande tavola rotonda, ci hanno chiesto ciascuno di completare la seguente frase:

“Sono un 10 a _________.”

Ho riflettuto, non sono sicuro della mia risposta, e poi a mia volta, la parola è semplicemente saltata fuori: RICERCA.

Non avrei mai immaginato che la mia ricerca mi avrebbe portato in questo incredibile viaggio.

Resta sintonizzato: potrebbe esserci ancora qualcosa in arrivo.

Ciao,
Judy

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

An Honor Indeed!

10 Sep

Two weeks ago, and most unexpectedly, we received an invitation to attend the 76th Venice International Film Festival, guests of Prof. Dr. Massimo Lucidi, economic journalist, author, and founder of numerous international events such as the Premio Eccellenza or Italian Excellence Award.

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The festival is held on Venice Lido and our meeting was at the Hotel Excelsior. Per their website: “This extraordinary creation opened to great acclaim on 21st July 1908, with a lavish ocean-front party for over 3,000 guests. It rapidly became a haven for the elite, film stars and royalty.”

In 1932, Hotel Excelsior Venice Lido Resort welcomed the first ever Venice Film Festival and is now the official venue of this world-famous event.

© HOTEL EXCELSIOR VAT: 09825980965

We took a moment to enjoy a cappuccino in good company.

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The meeting we participated in was titled “Cinema and Web.” It focused on the relationship between the emotion and seduction of cinema and today’s digital opportunities to preserve and share history and culture.

But why us? A bit of history required here…

Len and I, both with Italian origins, always had a dream and goal to spend significant time in Italy. Since 2001, with our trip to Calabria to find Len’s grandparents’ records, we’ve continued the research of our ancestral homes and visited most. Once we retired, and wanting to truly experience the country of our ancestors, we chose the ancient and beautiful town of Cortona in Tuscany.

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For us, it was the perfect size and setting to give us a central base from which to travel, to truly interact with locals, and to absorb the culture of our ancestors as we became immersed in daily Italian living. Little could we have imagined the great friendships we would make.

Growing up, Len and I were both very fortunate to be surrounded by large extended Italian families. Each of our lives was filled with fun Italian traditions, large family gatherings and love.

In my family, there were 10 grandchildren on each side. And while we knew of our grandparents’ accomplishments, it wasn’t as if they talked about themselves. For us, they were typical and fun grandparents who worked hard and loved their grandchildren dearly.

As a result, my ancestral fascination truly began many years later when I started researching my paternal grandfather, Alex Capraro.

©blogginginitaly.com   Alex Capraro and wife Maude

He left Pietrabbondante in Abruzzo at age four and emigrated with his young parents to America where he eventually became the first licensed Italian-American architect in Illinois. In the early 1930’s, he was appointed chief architect by the Italian Government for the Italian Pavilion at the 1933 Century of Progress Fair in Chicago. Although he passed away when I was five, my grandmother kept many of his letters and documents.  Eventually, these were passed on to me. In due time, I was able to piece together so much of who he was and what he had accomplished in his life, as documented in my blog series: Through His Words: Reflections From and About My Grandfather.

Alex’s story generated interest, not only with my family members, but also with many Italian friends.

This led me to research and share more about my maternal grandfather, Salvatore Ferrara, who opened a retail pastry and candy shop in the Little Italy section of Chicago in the early 1900s.

Salvatore Ferrara (r) C.1908

The bakery produced Italian pastries, large wedding cakes, and the sugarcoated almonds, or confetti, that Salvatore had learned to make in Italy. When candy sales surpassed pastries, he left his wife to run the bakery and eventually launched the Ferrara Pan Candy Company. In 2017, the Ferrero Group, maker of Nutella and the second largest chocolate producer and confectionery company in the world, purchased the Ferrara Candy Company.

Not to be outdone by the men, my maternal grandmother, Serafina Ferrara, became a dynamic business personality and philanthropist.

Serafina Ferrara and brother

Unlike my grandfathers, I had the good fortune to know her into my 20s. In addition to running the bakery, she opened two of Chicago’s first banquet halls, the Chateau Royale and Ferrara Manor. She also devoted significant time to charitable and civic causes. She was known as “The Angel of Halsted Street” for her unending generosity to those less fortunate. In 1956, she was named national grandmother of the year along with Ed Sullivan as grandfather of the year. The same year, she was decorated by the Italian government for helping to cement Italo-American relations. Her many life accomplishments were entered into the U.S. House of Representatives Congressional record by the Honorable Frank Annunzio in 1972.

Over time, I could see the gears turning in our good friend Carlo’s head. He was intrigued, not only about the story of these Italian immigrants who accomplished so much in America, but that the two families were united though the marriage of my mother, Benita Ferrara, and my dad, Bill Capraro. Carlo was also struck by Len’s and my decision to fully immerse ourselves in the history and culture of our ancestors, as well as research and share our stories. I knew he had begun talking to others, but never quite to what extent.

Fast forward to last week, and the invitation.

At dinner Wednesday night, we met Massimo Lucidi (across from me) for the first time, although he had been well briefed. Before the evening was over, he had invited me to join a panel the next morning.

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The Tropicana Conference Room at Hotel Excelsior housed the Italian Pavilion where the meeting would be held.

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Suddenly, I was on stage with a parliamentary member, a carabinieri colonel, the president of Rai Cinema, and Massimo Lucidi, all who play significant and varied roles in the promotion of film and the arts related to the history and culture of Italy on an international stage.

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My role was to share a brief history (in Italian, of course!) of my grandparents, all Italian immigrants, and the contributions they made in America. And why so much interest? As was pointed out during the panel, there are so many wonderful stories of Italian immigrants that are never heard, and never told, and it is the challenge of those involved in all types of media to seek out such stories.

In the room were producers, directors, actors, writers and journalists, and several were recognized for their work.

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And then, at the conclusion of the panel, came our incredible surprise and amazing honor – Len and I were recognized by the Executive Committee of Premio Eccellenza as follows:

For the history of extraordinary commitment, passion and style,
we are pleased to award
Judy and Leonard Gingerella
Ambassadors of the Italian History of Emigration

©blogginginitaly.com     Colonel Anania, Len , Judy, Massimo Lucidi

The actual award ceremony will be held in Washington DC in October, but since we won’t be available, we were given our award in advance. And that is why we were invited to Venice.

After the event, Massimo conducted an interview with Carlo and me which is available on YouTube. https://youtu.be/Ikif5iup2mY

https://youtu.be/Ikif5iup2mY

We presented Massimo with a book from Luciano Meoni, the Mayor of Cortona.

©blogginginitaly.com
©blogginginitaly.com

And Colonel Anania presented a book to Honorable Nicola Acunzo from Francesco Attesti, the Cortona Cultural Councilor. 

Len and I will be forever grateful to Massimo, Orazio, Carlo and all those who see value in sharing the past and are committed to keeping the stories alive. Grazie mille, thank you! Our time spent together at the 76th Venice International Film Festival will be something we’ll cherish forever.

Most of all, my heartfelt gratitude to my grandparents and great grandparents for having the courage to leave the known behind, seek opportunity in America, and create extraordinary legacies. I will always be in awe and also inspired by their accomplishments. As their granddaughter, I am so proud to be able to share their stories.

©blogginginitaly.com

On a prophetic footnote… in late July, our extended family gathered in Chicago for a week. One night around a large round table, we were each asked to complete the following sentence:

“I am a 10 at _________.”

I pondered, not sure of my response, and then at my turn, the word just popped out – RESEARCHING.

Little could I have ever imagined that my research would take me on this incredible journey.

Stay tuned – there just might be more to come.

Ciao,
Judy

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Andrea Camilleri

17 Jul

Accolades and condolences are abundant in Italy as the famed Commissario Montalbano author, Andrea Calogero Camilleri, director and author, passed away today at age 93.

Wikipedia, Andrea Camilleri c 2010

You may recall that last year in Sicily, Len and I spent a 10-hour day touring many famous Montalbano filming sites throughout Sicily. We have read many of the books and seen all of the movies, in Italian with English subtitles. Until today, I had always wondered why it was fairly easy for me to understand them, given what I’ve always heard about the Sicilian dialect. But now I know. According to John Hooper’s Obituary in The Guardian, “they are written in a language of the author’s creation: a blend of standard Italian with Sicilian dialect.” https://www.theguardian.com/books/2019/jul/17/andrea-camilleri-obituary-inspector-montalbano?CMP=share_btn_link

And although he had been a successful theatre director, TV producer, playwright and novelist, Camilleri didn’t start publishing his detective series until nearly 70 years of age. Amazingly, he sold more than 10 million books which were translated into 30+ languages, with the adapted tv series running in over 20 countries. 

According to Mark Lawson of The Guardian: “[Camilleri] considered it his duty to speak out against the dark politics by which his country was often seduced, regularly appearing as a pundit on Italian TV shows where he was torrentially opinionated, intelligent and witty.”

Also, according to Lawson, (a spoiler alert): “There will be at least one more novel. In our interview, he told me that – as Agatha Christie did with Hercule Poirot in Curtain – he had deposited with his publisher Riccardino, a final novel in which Montalbano is “finished off” that was to only be published posthumously. It should be a fitting epitaph to one of the latest, but greatest, careers in crime writing.”
https://www.theguardian.com/books/booksblog/2019/jul/17/andrea-camilleri-late-but-great-career-in-writing-inspector-montalbano

Finally, some thoughts from Luca Zingaretti, the actor who brought Commissario Montalbano to the screen, on his working with Andrea Camilleri:

I learned that the value of people has nothing to do with what they earn, with the positions they hold, with titles that adorn their surname: they are evaluated for what they are.”

“Now you leave and leave me with an unbridgeable sense of emptiness, but I know that every time I say, even alone, in my head, “Montalbano I am!”, wherever you have gone you smile slyly, perhaps smoking your cigarette and winking at me as a sign of understanding, like the last time we met in Syracuse. Goodbye master and friend, let the earth be light to you!
Your Luca

And so Camilleri leaves us, but not without a legacy that will last long beyond his years.

©blogginginitaly.com

If interested, my blog about our Montalbano tour:
https://blogginginitaly.com/2018/12/18/our-montalbano-tour/

Ciao,
Judy

 

Our Montalbano Tour

18 Dec

Although many people visit Taormina to get close to Mount Etna, Len and I had a different plan. Our goal was to visit many of the shooting locations of one of our favorite Italian detective stories, Il Commissario Montalbano. The episodes are based on novels by author Andrea Camilleri. They are set in the imaginary town of Vigàta but many shooting locations are in the province of Ragusa. Montalbano is played by the Italian actor Luca Zingaretti.

We got hooked on watching Italian shows many years ago as part of our never-ending quest to speak and understand Italian better, and also to learn about parts of Italy we had yet to visit.

Taormina is certainly not the best base to begin this excursion as the sites are hours away, but that didn’t deter us. I found an excellent driver, Alessio Patanè, (info@sicilygrandtour.com), who met us at 8 AM in Taormina.

Our first stop, and the opening shots of the episodes, are overlooking Modica. We were stumped on the significance of this view – the open center being the shooting location for Livia’s bus stop.

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We did, however, recognize the Cathedral of San Giorgio, aka the Church of Vigàta.

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Next stop, (not Montalbano related), the oldest chocolate factory in Sicily. Need you ask if I bought some?

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From there on to Scicli, aka Vigàta.

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The show’s police headquarters and commissioner’s office are both housed in the local town hall.

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Filming for the episodes happens on location during many months of the year, but the office set ups are often broken down and moved to Cinecittà, a large film studio in Rome. We were fortunate as they had recently been shooting scenes, so the offices were completely in tact when we visited.

Stepping inside, one immediately recognizes the staircase Montalbano climbs to visit his boss, the commissioner,

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as well as the commissioner’s office.

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After hearing about the some of the artifacts in the office, we headed downstairs to Montalbano’s office.

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Immediately on the right is Catarella’s office.

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then Fazio’s office leading to Montalbano’s.

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Enrico, our wonderful tour guide, was so knowledgeable and entertaining.

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He was also eager to show us a filming stunt. Below is the familiar door to Mimi’s office, which is actually not an office at all but a wall. Mimi’s only office exists in the studios in Rome.

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One highlight not visible in the series is the incredible ceilings in the eighteenth century building.

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After thanking Enrico, we walked the familiar streets of Vigàta before heading to lunch.

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Then time for Len’s one request – to eat along the sea at the place Montalbano frequents, and so we did. Picture perfect.

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After lunch, we walked along the beach in Punta Secca (aka Marinella)

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until we came upon this sign…

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and then the very familiar home of Montalbano.

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It was easy to see why this house was selected as Montalbano’s home and equally funny to see a pizzeria a few doors away – oh what fame can due to a town!

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In reality, it doesn’t appear that fame has spoiled this quiet beach town at all. No one was even home when I knocked.

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From here, on to our final stop, the incredible vistas of Ragusa and Ragusa Ibla, which we learned about from episodes. As Camilleri once said:

….there is a literary Vigàta, which is based on my hometown, and then a Vigàta used as the set for the TV series, which is based on beautiful places such as Scicli, Modica and so on. Now that happens to me when I’m writing a new Montalbano story: I’m influenced not so much by the Montalbano TV character but the scenery seen on television..   Andrea Camilleri

©blogginginitaly.com

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Whether or not you are a fan of the Montalbano books/tv series, these sights in many remote parts of Sicily are enticing and beautiful. At first we had wondered why so many widely dispersed and remote filming locations were used, but seeing them made it all so clear. Camilleri truly wanted to share lesser known parts of Sicily with his audience, and indeed he did. Clearly, his intention is what brought us to areas we might never have known, and given us another great adventure on a road less travelled.

©blogginginitaly.com

Ciao,
Judy

 

 

 

Ennio Morricone

5 Mar

In case you missed it, Ennio Morricone, age 87,  walked home with an Oscar this year for his original score for The Hateful Eight. Born in Rome in 1928, he has achieved incredible success as a composer, orchestrator, and conductor. Over the past seven decades, Morricone has composed over 500 scores for cinema and television, as well as over 100 classical works.

Perhaps my favorite of all of his compositions is this, from Cinema Paradiso. It always manages to bring a smile to my face and a few tears to my eyes. Turn up your volume and enjoy.

Bravo, Signor Morricone! Complimenti!

Ciao,
Judy

 

 

An Italian Hero Worth Knowing

31 Mar

This past weekend, while searching online for Italian movies with subtitles, I came across Perlasca, a 2002 Italian drama. The movie tells the true story of a real-life hero, Giorgio Perlasca, who posed as a Spanish ambassador and tricked Nazi officials in order to save the lives of at least five thousand Jews during the Holocaust.

Perlasca

Perlasca

For me, Italian films are a way to immerse myself in the Italian language and culture when not in Italy. Many historic films, such as this one, have dark sides, but also much to celebrate, such as this unsung hero.

After watching the movie, I did some research on the man, wondering how much was true. Per his obituary, I found that the man and the movie were one and the same, making the movie even more interesting and validating the second part of the movie title: the courage of a just man. Even when Perlasca returned to Italy from Budapest, he told no one of his actions. His heroism only came to light in 1989, when a group of his survivors’ relatives tracked him to Padua to thank him.

 

Photo_of_Giorgio_Perlasca

http://www.euroastra.hu/node/2346 Published by: Johannes; June 6 2007 – 06:13

Perlasca is available on Netflix and other sites. Note that the subtitles were too low on the screen for the first minute while Perlasca is writing a letter to his wife in Italy, but the issue is soon resolved.

Below is Giorgio Perlasca’s obituary, by Dalbert Hallenstein, published 19 August 1992, www.independent.co.uk.

GIORGIO PERLASCA was one of Europe’s great unsung heroes. An Italian former Fascist and livestock agent who fought for Franco during the Spanish Civil War, Perlasca – posing as the Spanish charge d’affaires in Nazi-occupied Budapest in 1944-45 – saved at least 5,500 Jews from the gas chambers, constantly risking his life in doing so. Evidence is now emerging that he may have played a leading role in saving a further 60,000 people from a massacre planned by the Hungarian Nazis in the Budapest ghetto just before the Russians took over the city.
Tall, with penetrating blue eyes and closely cropped white hair, Perlasca still exuded in old age the charm and authority which allowed him to bully and cajole Budapest’s Nazi establishment into helping him save ‘his’ Jews while posing as a completely bogus Spanish representative.
His story only became known in 1989 when he was tracked down in Padua by a group of Hungarian women related to people whom he had saved. Since then he has been honoured by Israel as one of the Righteous of the Nations, a rare honour given to those few non- Jews who risked everything to save Hitler’s victims from the gas ovens. He also received the highest honours from Hungary, Sweden and Spain, whose king recently awarded him the Order of Isabella the Catholic.
Perlasca was born in the northern Italian town of Como in 1910 but was brought up and lived most of his life in and around Padua. He came from a family of civil servants, judges and army officers. He fell under the spell of Mussolini while still at school and volunteered to fight in Mussolini’s Abyssinian war of conquest and later, as a Fascist volunteer, in the Spanish Civil War.
But by 1938 Perlasca was disillusioned with Mussolini. He detested Italy’s alignment with Nazi Germany and abhorred the Italian race laws of 1936 against the Jews. Many of his friends, both in Padua and in the Italian army were, in fact, Jews.
At the outbreak of the Second World War Perlasca managed to avoid military service by working in a strategic job as a livestock agent supplying meat to the Italian armed services. In 1940 he was sent in this capacity to Zagreb and Belgrade, from where he travelled widely in Eastern Europe. Here he observed dreadful massacres of Jews, Serbs and other minorities.
In 1942 he was sent to work in Budapest, which he described as ‘hedonistic and full of life, where nothing was lacking and the restaurants and theatres were full of seemingly carefree people, many of them Jews. Perlasca, in great demand because of his Italian charm, threw himself into this life with shameless gusto.
But the good life in Budapest ended with the fall of Mussolini in July 1943. Perlasca was immediately interned as an enemy alien in a camp near the Austrian border from which he escaped (back to Budapest) on 13 October 1943, just three days before a Nazi- backed puppet government overthrew the right-wing leader Admiral Horthy, who had managed to keep at least some distance from his ally Hitler.
Knowing that he had the right to Spanish protection, as a former pro-Franco soldier, he went to the Spanish embassy where, within a day, he was given Spanish citizenship, and a new Christian name – Jorge. Outside the embassy he had noticed thousands of people milling around. He was told that they were Jews pleading for the so-called ‘letters of protection’ which Spain, together with other neutral governments, including Portugal, Switzerland, Sweden and the Vatican, was issuing to protect Jews from deportation to the Auschwitz gas chambers. The Spanish embassy officials said they were so understaffed that they could not cope with the problem.
Perlasca volunteered for the job and was accepted. He set to work, making essential contacts in various key Nazi ministries and bribing, blackmailing and charming officials and police into helping him, or at least turning a blind eye to his pro-Jewish activities.
In November 1944, with the Russians approaching Budapest, the last remaining Spanish diplomat fled the capital, leaving the embassy officially closed down. But the diplomat had forgotten to take the embassy seal with him and Perlasca set to work stamping documents which proved not only that the Spanish Embassy was still open and functioning, but that he was the last remaining charge d’affaires.
Perlasca also used the seal to issue thousands more letters of protection to Hungarian Jews whom he housed in eight rented apartment houses which he made sure flew the Spanish flag and therefore, Perlasca argued, enjoyed diplomatic protection. The bluff worked, although he had to patrol the houses night and day to make sure that roving bands of Hungarian Nazis did not break in and murder or kidnap the protected people.
This happened only once, when 300 people under Spanish protection were carted off to the Budapest goods yards for deportation to Auschwitz. And it was here, in the presence of the heroic Swedish diplomat Raoul Wallenberg, that Perlasca’s life was saved by Adolf Eichmann during a violent row with an SS officer over two young Jewish children whom Perlasca insisted on taking away in the Spanish diplomatic car.
[Perlasca later recounting the story:]
‘A young SS major pulled out his pistol, pointing it at me. Wallenberg, who was standing nearby, shouted that he could not treat a Spanish diplomatic representative like this. Then, at a certain moment, an SS lieutenant- colonel arrived and asked what was happening. He listened, then ordered the major coldly to do nothing more because, ‘Sooner or later’, he said, ‘we’ll get the children anyway.’ They went away and it was then that Wallenberg told me that the SS colonel was the notorious Adolf Eichmann.’ 

When the news is so filled with the stories of villains, it’s wonderful to come across a true hero, especially an unsung one.

Ciao,

Judy

Cinema Paradiso

14 Dec

If you love Italian films, it’s hard not to love Cinema Paradiso, a story about love, loss and friendship set in Sicily. This year marks the 25th anniversary of the film’s release. The 32-year-old writer/director of the film, Giuseppe Tonatore, considered it semi autobiographical.

(Spoiler alert: if you have not seen the film, and plan to do so, don’t read on or watch the trailer.)

Cinema Paradiso is the beautiful, enchanting story of a young boy’s lifelong love affair with the movies. Set in an Italian village, Salvatore finds himself enchanted by the flickering images at the Cinema Paradiso, yearning for the secret of the cinema’s magic. When the projectionist, Alfredo, agrees to reveal the mysteries of moviemaking, a deep friendship is born. www.miramax.com/movie/cinema-paradiso

In the final scene, Salvatore, having returned to his native town for the funeral of his “father-figure” and mentor Alfredo, views the film reel gifted to him by Alfredo’s wife. Much to Salvatore’s surprise and delight, the old film reel contains all the kissing scenes that were cut by the local priest over the years when Alfredo and Salvatore screened the films together for the local cinema.

For your viewing pleasure, sit back and enjoy Cinema Paradiso’s final scene set to stirring music by Ennio Morriconi entitled Love Theme for Nata.

Ciao,

Judy

For more on the film’s history,
http://www.italymagazine.com/featured-story/celebrating-25th-anniversary-nuovo-cinema-paradiso

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